Cathy Johnson’s Mini-class // Quick Sketching 1 - Lesson 2

Monday 22 April 2013


Can't really see much here!




Lesson 2 has been all about sketching a moving object and capturing the essence of it (it’s called gesture sketching, something I didn’t know). I was a bit afraid to start with the exercises. People and animals are not really my favourite subjects, let alone if they are moving. But after watching some of the demo videos included in the class, I geared myself up to the challenge and with some courage I gave it a go.

Drawing using a kitchen timer was one of the many tips given in the lesson. I have done this type of exercise before, but I had forgotten how useful it is to know how much time you have before you start drawing. It helps to decide if focusing on the big picture or looking at details. And this is a problem I always have. I tend to focus on the details when I sketch, and that sometimes overwhelms me, especially when I suddenly realise that I don’t have enough time to draw everything (which happens very often if you try to sketch when out and about with a 16 month old!).

Seeing an object as a number of basic shapes (circles, triangles, etc.) also helped quite a lot, especially when drawing animals. I had learned this technique at one of my botanical art classes, but never really put it into use.    
  
The results are far from great, but I’m hoping that with practice, and a lot of it, my drawing skills will improve.

My sketches from Lesson 1 can be found here.
More info about Cathy Johnson’s online classes can be found here.

Unfinished sketches

Friday 12 April 2013

My desk @ work

 Kingston library - detail

 A3 to Woking

I have been trying to sketch whenever possible lately, but that means that I don't always have enough time to finish what I started. But that's ok; a little, unfinished drawing is better than no drawing at all in my opinion.

Cathy Johnson’s Mini-class // Quick Sketching 1 - Lesson 1

Tuesday 9 April 2013


 
I have been meaning to try out one of Cathy Johnson’s art workshops since I discovered her work a few years ago, but never really found the right time for it. Then a few months back I found myself going through her online art classes and getting more and more excited at the thought of signing up for one. I talked about it for a good couple of months and finally on March 31st I signed up.
The format of these mini-classes is quite simple. Each class costs $30 (which is less than £20) and consists of 4 weekly lessons. Once you’ve signed up, an email containing a link to the lesson (in pdf format) is sent to your address every 7 days. It is up to you to do the rest; the reading, the exercises, the more practicing.
I have been a bit geeky about this mini course and, although I have been sketching for years now, I decided to sign up for the first of the online mini-classes: Quick Sketching 1.
The first lesson included some very basic info and tips, and my first thought was that maybe I should have enrolled for a more advanced class. Much to my surprise I found the lesson very useful to help me get into the idea of what really a quick sketch should be about and also to re-discover some of my old tools.
Here is my sketchbook after week one.

More info about Cathy Johnson’s online classes can be found here.

Trying something new

Thursday 4 April 2013

I had the chance to come across some new materials I haven’t used before. To be honest, I’m not the type of person that likes to experiment with either materials or techniques. I know it sounds really bad, but not having much time to draw and paint I prefer stick to what I know it gives me some kind of comfort. However, once in a while, I get some free samples of some new products; this is when I don’t really have an excuse for not to trying them out.
A while back, Cass Art opened a new branch in Kingston upon Thames and to celebrate its launch they gave away a very generous goody bag with all sorts of materials.
Amongst some more familiar stuff, like paints and pencils, there were some sketching crayons (Conté Carrés Esquisse) and some watersoluble wax bars (Derwent Artbars), which caught my attention.
I decided to give them a try and these are the results.
I also received a sample of the Derwent XL graphite block and the Derwent XL charcoal block this week. Finding myself in this experimenting mood, I thought I should try these as well. I did not realise at first that one block was graphite and the other one was charcoal so I used them in the same way, in the same drawing…the graphite block did feel harder and less messy than the charcoal one, but not being very familiar with any of the two, I thought it was normal!
I’m no expert in using these media, so I can’t really give a proper review as I’ve got nothing to compare them against. However, I did enjoy trying them out and if I have to pick a favourite that would be the sketching crayons from Conté. They were relatively easy to use, messy, but not too much. I could get some pretty sharp lines and, at the same time, fill in a big area quite quickly. Also, I love sanguine colours!
Second favourite were the Derwent artbars. I loved their smooth lines, the results of overlapping colours and the fact that they are watersoluble. Bit of advice, as they are wax bars, they tend to actually melt in your hands while holding them; the solution is to be quick and make a lot of breaks to avoid heating them too much.
Least favourites are the blocks. The ones I used were samples, so not the actual size and a bit difficult to hold. They were very messy, and not really appropriate for small size drawings, as the XL in the name suggests! Very good for filling in big areas and do some bold and quick sketches, probably excellent for doing some big scale live drawings.

While baby sleeps

Wednesday 3 April 2013


I love it when my baby girl falls asleep in the car and I can't do anything else but to sketch the surroundings. We went to a softplay place last Monday, called Piglets in Hersham. She had a play date, but the car journey made her fall asleep. So while waiting for her to wake up, I managed to do a quick sketch of the entrance. The watercolours were added later on at home, as she didn't give me much time to do it there.
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