Cathy Johnson’s Mini-class // Quick Sketching 1 - Lesson 3

Friday 10 May 2013


   
 
  

It took a bit more time to go through lesson 3, compared to the previous lessons.
The first part focused on sketching from memory, which can be a good exercise as it makes you look harder at your subject and with practice you can learn what to look for, what is essential when trying to do a quick sketch. I must confess I didn’t practice enough on this subject as I was more interested on what was following, meaning thumbnail sketches, visual symbols and big shapes. I think these last three points are the key to quick sketching, and also the points where I lack confidence. I’ve always used thumbnail sketches as a preparatory exercise before tackling a painting. But never realised they can actually be quick sketches on their own. I also learned that it’s a very good exercise copying visual symbols from somebody else’s work. I’ve been recently obsessed with John Lidzey sketches, and looking at the way he drew things, and copying it, made it easier for me to reach a similar effect in my sketches.
Working from a big shapes and adding more details later as time allows has also proven to be a very good tip. When I’m out sketching I don’t always know how much time I’m going to have. Most of the time a big shape is good enough to suggest a view or a movement.
The winter robins demo was an enjoyable exercise, and adding colours to it was for me the most rewarding part!
Sketches from Lesson 1 and 2 can be found here.
More info about Cathy Johnson’s online classes can be found here.

A few holiday's sketches

Thursday 9 May 2013

Rimessa barche - fine lungomare lato Corace

Quadrivio Nalini

Golfo di Squillace

Tetti - Catanzaro Lido zona Corace

We spent the past week in Catanzaro Lido (Southern Italy), my hometown. The weather was great, sunny and warm, but not too much you get sunburned and your watercolours dry while still on the brush!
Because we went visiting my family, we had baby sitters for my little Miss O basically all day long and that gave me the chance to go out by myself and do some en-plain-air sketching. I had planned to bring with me an A4 Moleskine watercolour pad I bought a few years ago with the plan to fill it in with sketches of my hometown. However, the pressure I felt when thinking about the size and the commitment required made me decided to bring my usual large moleskine pad. It was a good choice, but now I feel I've gained enough confidence to bring my larger pad next time. I was hoping to be able to draw a bit more, but feel quite happy with the overall results. All drawings and watercolours were done on location, with only a few touches added later on.  
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